Buy this book before it goes out of print for another thirty-five years!

If Golding's Ovid is not, "the most beautiful book in the language," it's among the top two-dozen "most beautiful books" you can find in English. I've searched for a second-hand copy of the 1965 Simon and Schuster edition since the late sixties, ever since I read Pound's ABC of Reading. I never had any luck finding it, though I did come across a non-circulating copy in a university library once. Its title page explained that only 2500 copies had been printed and that the previous edition -- the one Pound must have used -- was a small, deluxe Victorian production, itself unattainable by 1965.

After all my years lurking in second-hand bookshops, Paul Dry Books has finally done the decent and brought Golding's Ovid out again, this time as a beautifully printed, well-bound, but inexpensive paperback. I grabbed up my copy at first sight.

Is this an "accurate" translation of Ovid? As a previous reviewer has said, if you really want accuracy, you should read Ovid in Latin and leave the wild Elizabethan translators alone. Unlike that reviewer though, I'd say that, if you want Ovid in perfectly accurate modern English, with his poetry and voice included, you should read him in Mandelbaum's beautifully rendered version; but if you want an accurate modern English translation -- the type of thing your Latin prof would give you excellent marks for -- then read him in Melville's able, though sometimes sightly flat translation.

But if you love Elizabethan literature, then you should read Golding. You read his Ovid for the ripe, quirky, full-on Elizabethan English, deployed in his long, rambling fourteeners. Golding's metre was becoming antiquated in his own day but, as with a good deal of his rustic vocabulary, he didn't seem to care much about literary fashion. Reading him now, I find it's his joy with his original that matters. Open the volume anywhere -- at the Cyclops Polyphemus singing to the Nymph Galatea for example -- and there is Golding rolling magnificently on:

"More whyght thou art then Primrose leaf, my Lady Galatee.
More fresh than meade, more tall and streyght than lofy Aldertree.
More bright than glasse, more wanton than the tender kid forsooth.
Than Cockeshelles continually with water worne, more smoothe."

Where "forsooth" is outrageous metrical padding, and "forsoothe/smoothe" was probably a forced rhyme even in 1567. But who cares? Golding's music carries the reader past any such concerns, and the beauty and energy of the thing are undeniable.

So buy the book! Make sure it sells tens-of-thousands of copies! Give the publisher a reason to keep reprinting, so it never disappears again.

I'd like my review to correct what seems to be an over-hasty, unreflective lionization of Golding's translation by the other reviewers. Yes, it is a "great translation," in the sense that Marlowe's translations from Latin are, or Motteaux' Don Quixote is, or Pope's Iliad, or Robert Lowell's Imitations, or Pound's Chinese "translations," or even Ted Hughes' Tales From Ovid: that is, it is an powerful, compelling, wholly literary work in its own right, but it is nowhere near the original in terms of accuracy. The Latinless reader would do much better to buy Melville's excellent Oxford translation (which lacks nothing in poetic splendor) or perhaps Allen Mandelbaum's. As for the poetic "quality" of Golding's verse, that's of course subjective, but I could easily think of at least ten Elizabethan poets who are more satisfying to my taste. Golding's chief literary interest, as Nims points out, is his absolutely odd-ball English; attentive readers will find him a veritable storehouse of strange, funny, quaint Elizabethanisms that didn't quite make it into Shakespeare or the other mainstream writers of the period. (Much of the same joy can be found in Chapman's marvelous translations of Homer, reprinted by Princeton.) And the much-quoted Pound maxim comes from his wonderfully cantankerous ABC of Reading, certainly a fascinating book, but one in which Pound indulges in various critical pronouncements that seem, at times, merely whimsical or rhetorical. Much of Golding is rough, much dull, much of its interest is linguistic rather than poetic. He also adds a lot to round off his fourteeners (which I can't imagine are palatable to most readers for long stretches): his additions are fun, but they're not Ovid. Golding "Englished" Ovid to a great degree: his imagery often comes from English culture, not Mediterranean. Of course, any translation is fallible, and Golding's faults as a translator are, in my view, his greatest strengths as a poet, but he's definitely not a good place to start reading what is certainly one of the world's greatest books. This is a fine book, well worth the five stars, but emphatically NOT for the reasons cited by my colleagues. If you want Ovid, go for the original; failing that, Melville's your man.

This edition presents the Arthur Golding translation just as it would have been read at the time of its publication (1567). The Elizabethan spelling is maintained but is not an overwhelming problem (and really not very difficult at all and really adds to the charm of the translation (poetry) itself...) The print of this edition is also perfect in look (black print) and size and is the type of print that gives words a more substantial look...(that's not a small thing in a work like this...) Arthur Golding was not only a Protestant in times when faith was very political, but he was a Puritan...(he also was famous for translating John Calvin...) This edition reprints his preface where he justifies his efforts in translating Ovid. It also reprints his Epistle, or, dedication... I noticed on the copyright page that this is a reprint of an edition that was published back in 1965 by Simon and Schuster which interested me because I've been looking for an edition new or used of the famous Golding translation all my reading life (which began well after 1965...) and had never had any luck, so I would say if you come across this edition or it's not out-of-print by the time you see it here on amazon.com and you've always wanted to read it (I, by the way, had never been able to find the Golding translation in any libraries either...) then don't put-off aquiring it... Golding's translation of Ovid's Metamorphoses is really a basic book (there are only about 40 of those at last count...don't ask me to document that though...) Why is Golding's translation of this work so intriguing...? It, for one thing, looks on the page like sunlight looks when it's dancing and flashing off the water of a running brook...

I read this book over 20 years ago. It was my introduction to Samuel Johnson. The book inspired my deep devotion to Johnsonia. The subject, I now know, is fascinating; for over two centuries biographies of Johnson have never been out of print. But this book caught my attention and fixed it. It is a moving portrait of a person like all of us except with greater disabilities and greater strength and, after years of struggle, greater triumphs.

I urge anyone with an interest in English literature or 18th century England or in the heights to which a honest and brave man can reach to make the effort to read this book. It is, at the very least, a good read. It may also make ytou a better person.

The very idea of writing a definitive biography of a figure as towering as Samuel Johnson seems unthinkable, yet the late Walter Jackson Bate succeeds in capturing the essence of Johnson's life in spectacular fashion. Some may quibble at Bate's occasional forays into speculation, particularly when he writes about Johnson's troubled childhood and how its events shaped his later life. Because Bate imposes such detail and rigor in his scholarship, however, it would be foolhardy not to think his depictions, even the speculative ones, as pretty accurate.

The physiological analysis of Johnson's character may strike some readers as heavy-handed, yet it ultimately illuminates the full character of Johnson, helping the modern reader to understand more clearly the time and culture that produced a character as complex and powerful as Dr. Johnson.

As I neared the end of this wonderful volume, I felt the same pangs one feels toward the conclusion of an excellent novel. Bate writes with such power, clarity, and insight that I cannot foresee any other biography of Johnson dislodging this one as the definitive rendering of his epic life.

Most earlier biographies of Johnson have concentrated on the author's public life and his work as a writer. Bate's is the first to zero in on the inner man -- and it succeeds magnificently.

In some ways, Johnson's personality was as complex and as tragic as that of his best-known biographer, James Boswell. Johnson's towering genius was often at odds with his uncouth ways, his disfigured face, and his seemingly lunatic tics and stutters. He controlled his desires and needs with an iron fist of self-control, often denying himself even the most innocent pleasures in his never-ending quest for spiritual purity. Bate shows us how Johnson's neglectful childhood and his crushing poverty as a young man forged his emotional character, and how his many disappointments as an adult moulded his spiritual character.

The only qualm I have about recommending this book is that Bate sometimes goes too far in his psychological analysis. Since this book was published, a consensus has arisen that Johnson suffered from Tourette's Syndrome, a neurological condition characterized by ticcing, a quick wit, an unusual gait, and specific personality quirks. If this is the case, and if many of Johnson's character traits can be attributed to Tourette's and not emotional damage, much of Bate's analysis is incorrect.

Having said that, I still highly recommend this book. Bate can't be faulted for omitting a diagnosis that couldn't have been made at the time he wrote the book. Moreover, the bulk of his analysis is spot-on, and his love of and respect for the subject of the book are obvious in every chapter.

I highly recommend this book.

no hype. i couldn't stop laughing as i was reading this. and i mean laughing out loud. in a cafe. with everyone staring at me. but i didn't care. and i couldn't help it if i did. it's just too hilarious.

There is at least one author who may remind you of Stephen Leacock, namely Garrison Keillor of Lake Wobegon fame, but Leacock should be recognized as the ultimate master of quaint, bucolic humor. Leacock, who died in 1944, became arguably the most prominent Canadian humorist of his day (and probably of all time). What is ironic about that claim is that Leacock worked for most of his life as a professor of economics. We do not usually equate economics with humor, preferring to think of that profession as one of bow ties and supply and demand charts. Throw that presumption out the window and pick up a copy of "Sunshine Sketches of a Little Town," Leacock's best known work available through the New Canadian Library series.

For me, one of the funniest sections of the book was the introduction written by Leacock, where he gives you some background about himself and his profession. This short piece of writing quickly gives you an idea of the type of humor you will find in the actual sketches: a very sly, very quiet and clever type of humor that often takes a while to sink in. Leacock does not rely on rim shot jokes or manic posturing in his writings. Instead, he creates the fictional Canadian town of Mariposa and populates it with small town archetypes that are wonders to behold.

All of the characters are hilarious in their own way: Mr. Smith, the proprietor of the local hotel and bar, full of schemes to earn money while trying to get his liquor license back. Then there is Jefferson Thorpe, the barber involved in financial schemes that may put him on the level of the Morgans and the Rockefellers. The Reverend Mr. Drone presides over the local Church of England in Mariposa, a man who reads Greek as easy as can be but laments his lack of knowledge about logarithms and balancing the financial books of the church. Peter Pupkin, the teller at the local bank, has a secret he wants no one to know about, but which eventually comes out while he is courting the daughter of the town judge. All of these characters, and several others, interact throughout the sketches.

Leacock has the ability to turn a story, to make it take a crazy, unexpected twist even when you are looking for such a maneuver. That he accomplishes this in stories that rarely run longer than twenty pages is certainly a sign of great talent. By the time you reach the end of the book, you know these people as though you lived in the town yourself, and you know what makes them tick.

Despite all of the crazy antics in Mariposa, Leacock never lets the reader lose sight of the fact that these are basically good people living good lives. There seems to be a lot of feeling for the citizens of Mariposa on the part of Leacock, which comes to a head in the final sketch in the collection, "L'Envoi. The Train to Mariposa," where he recounts traveling back to the town after being away for years, with all of the attendant emotions that brings as recognizable landmarks come into view and the traveler realizes that his little town is the same as when he left it years before.

I suspect there is a historical importance to "Sunshine Sketches of a Little Town." These writings first appeared in 1912, a time when many people living in the bigger Canadian cities still remembered life in a small town. In addition to the humorous aspects of the book, the author includes many descriptive passages concerning the atmosphere and layout of Mariposa, something instantly recognizable to anyone who grew up in such a place. Nostalgia for the simpler life of the small town probably played a significant role in the book's success.

I look forward to reading more Stephen Leacock. While much of the humor in the book is not belly laugh funny, it does provide one with a deep satisfaction of reading clever humor from an author who knows how to tickle the funny bone. You do not need to be Canadian to enjoy this wonderful book.

Perhaps the finest comment about Stephen Leacock in the last half century is that "he is a
Will Rogers for the 90's."

Rogers, of course, is one of the most beloved of American humorists -- he was killed in
1935 when his plane crashed near Point Barrow, Alaska. Leacock died on March 28, 1944.
Like Rogers, he had been Canada's favorite humorist for decades.

Sunshine Sketches is about Orillia, Ontario, Canada, where Leacock had his summer home
on Brewery Bay (he once wrote, "I have known that name, the old Brewery Bay, to make
people feel thirsty by correspondence as far away as Nevada.") His home is now maintained
as a historic site by the town of Orillia. I lived there for almost 30 years, and the people of Orillia are still much the same as Leacock portrayed them in 1912.

These stories about various personalities in town were printed in the local newspaper in the
1910 - 1912 era, before being compiled into this book which established Leacock's literary
fame. The people portrayed really lived, though some are composites; the events are of a
kindly humorist looking at the foibles of small town life. Once they came out in book form
and soared to national popularity, everyone in town figured the rest of the country was
laughing at them because of Leacock's book and he was royally hated in Orillia to the end
of his life.

Gradually, and this took decades, Orillians came to recognize that genius had walked
amongst them for several decades. (It's hard to recognize genius when your own ego is so
inflated.) Orillia now awards the annual "Leacock Medal for Humor" -- Canada's top literary
prize for the best book of humour for the preceding year.

Leacock died when I was six, but I did know his son, who still lived in town. I delivered
papers to the editor of the "Newspacket," Leacock's name for the Orillia Packet and Times
(where I worked) and the rival Newsletter. The Packet had the same editor in the 1940's as
when Leacock wrote about him in 1910.

But the book is more than Orillia; it is a wonderfully kind and humorous description of life in
many small towns. The American artist Norman Rockwell painted the same kinds of scenes;
it is the type of idyllic urban life so many of us keep longing to find again in our hectic
urban world.

Leacock realized the book was universal in its description of small towns, and in the preface
he wrote "Mariposa is not a real town. On the contrary, it is about seventy or eighty of
them. You may find them all the way from Lake Superior to the sea, with the same square
streets and the same maple trees and the same churches and hotels, and everywhere the
sunshine of the land of hope."

True enough, which gives this book continuing appeal nearly a century after it was written.
All great writing is about topics you know, and as a longtime resident Leacock knew Orillia
well. As for Leacock himself, he wrote, "I was born at Swanmoor, Hants., England, on Dec.
30, 1869. I am not aware that there was any particular conjunction of the planets at the
time, but should think it extremely likely."

He says of his education, "I survived until I took the degree of Doctor of Philosophy in
1903. The meaning of this degree is that the recipient of instruction is examined for the last
time in his life, and is pronounced completely full. After this, no new ideas can be imparted
to him."

In reviewing Charles Dickens' works in 1934, Leacock wrote what could well be his own
epitaph: "Transitory popularity is not proof of genius. But permanent popularity is." The fact
his writings are still current illustrates the nature of his writing.

In contrast to the sometimes sardonic humor of modern times, Sunshine Sketches reflects
Leacock's idea that "the essence of humor is human kindness." Or, in the same vein, "Humor
may be defined as the kindly contemplation of the incongruities of life, and the artistic
expression thereof."

Granted, this book is not what he recognized to have widespread appeal to modern readers.
In his own words, "There are only two subjects that appeal nowadays to the general public,
murder and sex; and, for people of culture, sex-murder." Yet, anyone reading this will
remember scenes from it for much longer than anything from a murder mystery.

In today's world, where newspapers almost daily track Prime Minister Tony Blair's dash to
the political right, Leacock wrote, "Socialism won't work except in Heaven where they don't
need it and in Hell where they already have it."

He described his own home as follows, "I have a large country house -- a sort of farm
which I carry on as a hobby . . . . Ten years ago the deficit on my farm was about a
hundred dollars; but by well-designed capital expenditure and by greater attention to
details, I have got it into the thousands." Sounds familiar to today's farm policies ?

It's what I mean by this being a timeless work.

Leacock himself noted, when talking about good literature, "Personally, I would sooner have
written 'Alice in Wonderland' than the whole of the 'Encyclopedia Britannica'." This is his
'Alice' and it well deserves to be favorably compared to Lewis Carroll's work.

By all measures, it is still the finest Canadian book ever written.

This book gives you a very good taste of all the natural alternative building techniques, and also where to find out more information on them. This is an excellent book for you to start researching all the different alternative building techniques or if your already well read on the subject it may introduce you to some new techniques or be a good refresher on the subject.

This is a great place to start your research if you are interested in natural building. Web sites, resorce books and organizations are listed at the end of each chapter. This book started my career in natural home building.

Today, around 5 million people on Earth work and live in buildings made of adobe, stone, rammed earth, straw bale, cob, wattle and daub and so forth. That is, most of our planetary brothers and sisters live in earthen houses that rely on renewable human labor and local resources like mud, straw, rock and tree. These houses are less energy intensive, more durable, and are often more esthetically pleasing than so-called "modern" homes, as this book shows.

"The Art of Natural Building" questions the environmental responsibility of a 5,000-sq-foot, 500,000-dollar house. As more and more people begin to make the kind of money it takes to buy their own American Dream house, we must question the feasibility our of contemporary building practices. Would it be possible cover the globe with modern homes? Building companies certainly think so, but aside from what a project of this immensity what mean environmentally, the resources are simply not available.

There is simply not enough lumber, brick, cement, and processed material to go around. Our building industry would gladly sell us into oblivion if it meant a buck or two in the short-haul, but we need to get away from this kind of thinking. We also need to consider the environmental impacts of our current practices. What are these impacts?

As this book reminds us, buildings already account for one quarter of the world's wood harvest, two-fifths of its material and energy use, and one-six of its fresh water usage. In the past 100 years the level of carbon dioxide in the atmosphere has risen 27 percent, one-quarter of which has come the burning of fossil fuels just to provide energy for buildings. During the same period, the world lost more than 20 percent of its forest. Quite simply, our building philosophy is not sustainable; and with a populaiton of 6 billion rising at an incredible rate every year, reconstruction of this philosophy becomes all the more timely and important.

We can start by dropping out of the rat race and getting our hands dirty. Natural building is much more affordable, durable, environmentally responsible and estheticly pleasing than the track homes and skyscrapers advancing on the horizon. We can also avoid the loan-mortgage game which weds us to unfulfilling job and Sisyphus-like existence. We can create spaces that are non-toxic, unique, and ecologically sound. And perhaps most importantly, we can reconnect with Earth and the spirit of artisanship.

Along with the philosophy, you will discover a veritable treasure trove of natural building styles and ideas, from the radically new and innovative - like concept "earthship" - to the ancient and elegant, such as the living roof pictured on the cover. Architects need not apply, nor must you be good with your hands to fashion your own natural house. I consider myself very fortunate to have seen this book before investing in a home of my own. Like many people, I might have ended up working the rest of my life to pay for "a house without a clue."

By far and away, this is one of the most important books I have ever read. Philosophers dabble with theories of justice, beauty and truth, but with this book you will discover how all of these ideas can be BUILT into the very structure and fabric of your life. You will discover the ethics and aesthetics of building design and ecological living.

Filled to the brim with great references, links and some amazing photographs to stimulate your right brain, "The Art of Natural Building" is a must for anybody interested in saving the planet and saving a little money at the same time. The ultimate ecological building encyclopedia! A must read for all dwelling creatures.

the New Farm cook book is a must for a vegan's cook book library. perhaps the best recipes in the book are the breakfast & baked goods: Who says pancakes have to have eggs in them!

The book offers helpful tips for making tofu, wheat gluten, tempeh & soy milk. It also has photos and cute cartoons of the folks at the New Farm commune doing their thing. It offers advice on raising vegan children, and vegan nutrition while pregnant. Most of the recipes are easy and very "American" style, like cheese-less mac & cheese, grilled tofu sandwiches, etc. There is also a section on vegan jewish foods, like knishes, that is great. The only thing I dislike about this cookbook is that it tends to call for powdered spices rather then fresh... and you have to admit that nothing beats fresh garlic! Of course, you can always substitute. For the cookie recipes that called for honey I used a mixture of turbinado sugar and maple syrup. it worked fine!

Buy the book! You won't regret it! :-)

I love cooking with this book! It has everything from soy yogurt, milk to (my fav) spaghetti balls! The recipes are easy and very delicious. I just ordered another one because mine is falling apart from using it so much! I wish they'd make a spiral bound hard copy! :) The Cooks that contributed the recipes are awesome and I'd love to go down to the FARM to take cooking lessons. The BEST book if you're just turning vegitarian and are looking for different soy choices for variety. I LOVE IT!

Undeniably the best vegetarian cookbook I've ever encountered. The book is packed with recipes using tofu, tempeh, soymilk, and soy yogurt. In addition, it includes no-fail instructions about how to make these products at home. How to make soy ice cream, soy cheese and wheat gluten are also included.

This is the most-used cookbook on my shelf and has been for 11 years! I'm about ready to need a new copy...

This book, even though geared for Y2K type expected disaster, still has many useful tips for emergency preparedness. I found the food prep and storage section particularly useful. Also it had an excellent section on waste disposal which is often overlooked in other emergency preparedness books. Small and portable enough to take with you.

The Y2K Survival Guide and Cookbook (Ecovillage, TN) by Dorothy R. and Albert K. Bates is not your usual recipe collection. With the savvy of environmentalists ad the frenzy of those expecting emergency, Dorothy and Albert Bates cover every area of survival and food preparation. Expecting the worst case scenario - rolling brownouts and total black outs, failed utility systems and water purification problems - this book provides natural alternatives: food storage, chlorine bleach to purify water, using wood stoves, building your own composting toilet, and gardening. There are even first aid and Morse code directions in the final pages. After coping with any Y2K calamities, it's time to cook. In between survival guidelines, the Bates' book is filled with hearty recipes reminiscent of campfire food. As computers buzz blank, you can enjoy split pea soup from melted icicles, marmalades from sun-dried fruit, or shiitake joes from home-grown mushrooms. Even though The Y2K Survival Guide and Cookbook is intended for the millennium-minded cook, it is an eccentric volume any eco-conscious chef should add to their library.

In addition to the recipes and food tips that could keep a diverse group of survivors happy for years (who wants plain ol' Chili gets that, and who prefers dishes like Rice Noodle Pad Thai will be satisfied also), there is an excellent overview of food storage techniques that includes charts I've never before seen on the shelf life of edibles, from an individually wrapped apple to nuts in airtight packages.

While Dorothy and Albert have given us lists, lists, and more lists to follow and yet others to create lists of our own, throughout their little treasure of a book is a taste of the loving, compassionate sensibility without which any attempt to survive is bound to be futile.

If you have just purchased Vampire: The Dark Ages, then you will want to look deeply into this book. This book contains information to help make vampire chronicles even more dynamic than before. This volume contains a detailed section outlining the various actions and reactions of different religious organizations. I state organizations because too often the word Church is assumed to mean the Holy Roman, or Catholic Church. Although it was a major power in Europe, there were still plenty of other religions in the world; each religion had its own agenda and these are illustrated in the Companion. Now a Storyteller can be sure throw a massive curve into a Chronicle when Cainites are now confronted by not only Catholic clergy, but also pagan and followers of even more remote religions. What basis of belief do the Assamites follow? It is most assuredly not catholicism. With this book, you can get a slight taste for their beliefs, or the beliefs of those in their homelands.

So that is the church, but what about Cainites themselves? The Companion carries the higher level disciplines for the one listed in the Dark Ages core book. The authors have also included more Thaumaturgical paths as well as power to make better Infernalists. This book carries a wide selection of Dark Thaumaturgical paths and rituals. It also carries a few new disciplines altogether. Wait! New disciplines? Who wield them? This volume also adds four new clans/bloodlines. The Laibon, Lhiannan, and Lamia make their possible First Appearances in the White Wolf canon. Their chapters contain information on their origins, structure, beliefs, and discipline just as it does for all others. The one exception is that it also spells out each bloodline's fate. These Cainites do not survive into the modern days, and now you know why. But, I only mention three, who is the fourth?
The Dark ages are a strange time. Not only does it see the "birth" of a new clan, but also the genocidal hunting of another. Yes, the Salubri are still alive at this time and the Companion provides both a clan overview as well as a long listing of Valeren, the Salubri principle power. For all you veterans, Valeren is not the same as Obeah. Now we have the actual power the Unicorns wielded long ago in Enoch, the very power that is said to have temporarily soothed Malkav of his madness. This alone makes the book worth its cost, but the authors have included so much more.

In summary, coupling this book with Vampire: The Dark Ages will only enhance a chronicle. If players feel they done this before, add a few new religious antagonists, or just drop one of the unknown clans into he story to add danger, intrigue, and a huge new enigma to solve. Do not forget to spice the game with the upper levels of Disicplines. You may have a Brujah or a Nosferatu with a ton of Fortitude, but what good is that when you opponent can strike you from across the room without moving? What good is a ton of Potence and Celerity when your weapons shatter upon impacting another Cainite and not leaving the slightest mark? Who said the "things-that-go-bump-in-the-night" in the night do not have their "things-that-go-bump-in-the-night" as well? Can we say Methusala? Sleep well, childer. Sleep well.

If a chronicle is hard to build, it is a dark ages chronicle, not because of lack of plot, but excess of it, there's too much going on with the church, also there's chivalry and clan differences begin to break the vampire society. Certainly it is a good time to have a companion to give you few details.

It expands existing disciplines providing new ones, with even new rituals. The blood lines also prove to be interesting characters that players might enjoy, and storytellers trying to run the dark ages chronicle will find this book quite useful.

While Vampire: The Dark Ages is infinitely resourceful, the Dark Ages Companion is infinitely more so. It has detailed information on aspects of the dark ages which will help any chronicle. Included are several new bloodlines, plenty of new disciplines and new powers for old disciplines, and details on several religions. Possibly the most valuable resource is the new data on combat, including the mass-combat for the armies of the day.

All in all, this product is essential to run a complex chronicle, and well-worth the money.

This is a funny book and much more! Great humor to help relieve the sadness of recent events. Also very empowering. I'm a definite "type A" ... lead a very successful and stressful life.
By pumping up my sense of humor and using the author's tips I feel much more relaxed and in control of stuff. Another great side effect is I've discovered laughing my way to sleep helps me sleep soundly and wake up in a good mood. I now relish my nightly reading time. It's like having a good box of chocolates, without the guilt (I'm Catholic). And with my new humor muscle, no one's falling asleep on me any more during my presentations. My only complaint is that I will reach the end soon and there is no sequel yet. I just may read it again.

It is beneficial to presenters because:

It is an easy read, entertaining, funny & instructional. For anyone wanting to be a comedian, a professional speaker, or just wanting to add humor to their life, this is a must-read!

If you want to learn about laughing, personal benefits of humor, why we laugh, or how to see the funny side of life, this is a great place to start.

If you are a professional presenter, or want to be, this book takes you, step by step, through the hows and whys of finding and using humor.

It explains types of humor, how to remember and tell a joke, how to prepare and present your humor.

I have implemented several of Roger's tips in my presentations and in the Therapeutic Humor class that I teach.

HOW TO BE FUNNIER gets a five star rating. For speakers and entertainers this guide is a must read. For everyone else it's a fun read . . .with much to be gained. The material is mostly inside tricks and techniques used by professional comedians and humorists. It's presented in a very funny and very easy to understand and easy to use manner. It's something that anybody can put to use since everybody can benefit from a stronger sense of humor. The examples are great! You see exactly how it's done and whether you want to improve your ability to be funny, write funny, delivery funny, be quicker witted, recall jokes and stories or just have a stronger sense of humor in general it's all there and very easy to follow. It's even makes a good "self help" book for improving attitude or moods. It has the widest variety of humor and humor styles I've come across. My appreciation for humor has skyrocketed since reading this.

I'll say openly that I'm no fan of Werewolf. Don't get me wrong, I understand the system and I've played my share of the characters, but werewolves always seem to be played a bit to slash and kill for my taste. Well, you can imagine my surprise when a friend lent me this book and told me, despite my less the cheerful comments on the subject of werewolves, that it wasn't like the others. He was definitely right. Not only are were-ravens extremely interesting, and the book it's self amusing. It's a wonderful change of style from the typical werewolf characters. Were-ravens aren't slash and kill characters, but they have other interesting skills that lend depth to any game I've seen them in. Not only would I suggest this book to were-creature fans, I would suggest it to people who aren't (like me) because if you think that were-wolves are all about death, be prepared for a wonderful surprise.

The wereravens are the messengers and scouts in the world of Werewolf. The history of the breed is narrated by a humorous Corax, who takes things that you think to be written in biblical style writing, and translates it into modern english (VERY funny)
I suggest this book to anyone who plays Werewolf but is getting tired of strictly garou and wants to add some color to the game.

Honestly--I picked up this book because I was going to be creating a character to help a friend out and I was immediately hooked! I read the thing from cover to cover and have several times since. The text is written with a great sense of humor and gives valuable insight to the workings of those wacky little were-ravens.